Texts
Art Busan 2025 concluded its four-day run on May 11 at BEXCO in Haeundae, Busan. Now in its 14th edition, the fair brought together 109 galleries from 17 countries in an effort to reinforce Busan’s position as a hub of contemporary art in East Asia. However, the outcome reflected more of the current art market realities than a major shift.
2025.05.13
Texts
What does it mean to exist beyond the confines of identity? Gwon Osang, a pioneering figure in contemporary sculpture, dissects the visual lexicon of pop culture through his signature ‘photo-sculpture’ technique, fusing photography and three-dimensional form to interrogate notions of representation.
2025.03.04
Texts
Gwon Osang (b. 1974), known for his so-called "photo-sculptures," has continuously questioned the identity of sculpture while exploring new structural forms.
2024.12.17
Criticisms
The constraints of the system called the “contemporary,” which constantly demands renewal, are also applied to art, driving repeated transformations through frameworks such as expansion, deconstruction, recontextualization
2022.08.23
Criticisms
To put it boldly, everything is “sculpture.” If sculpture is defined as a mass possessing form and materiality within three-dimensional space, then not only various artistic genres—such as painting, photography,
2022.08.23
Texts
Artist Gwon Osang’s Untitled GD will be on view at the Victoria and Albert Museum (V&A) in London from September 24, 2022. The piece depicts G-Dragon, a member of the South Korean idol group Big Bang, as Saint Michael the Archangel, confronting the devil.
2022.08.04
Criticisms
It's up to the audience how to read Gwon Osang's works. It's because his works are neutral in meaning and evaluation. He just devotes himself to his works with a serious attitude. And the result becomes a statement about human's visual perception,
2012.02.02
Texts
Photography is the easiest and most effective tool for capturing three-dimensional spaces in two-dimensional images. Thus, far more than painting or sculpture, its functional aspect of representing the reality as is has been greatly emphasized. Photographic images, however, constitute their own worlds that are different from the reality.
2010
Essays
Korean artist Osang Gwon skillfully straddles the mediums of photography and sculpture in a rich and complex signature style that seems to nod to Pop Art, traditional still life painting and portraiture through a most contemporary vocabulary that finds its roots in such far-flung philosophical underpinnings as the fractured bodies of world history, the sutured surfaces of Dadaist collage and the mise en scène fabrications of the stage.
2008.06.05
Essays
It's up to the audience how to read Gwon Osang's works. It's because his works are neutral in meaning and evaluation. He just devotes himself to his works with a serious attitude. And the result becomes a statement about human's visual perception,
2008